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Lisa Yee [userpic]
Public Humiliation Has Never Been So Fun
by Lisa Yee ([info]lisayee)
at July 16th, 2009 (12:54 am)

I've blogged about this before, but it was a loooong time ago. There's this incredible live show called MORTIFIED. I first heard about it on NPR and was smitten.

Anyway, here's what happens. Seemingly sane adults get up on stage and READ from their actual tween/teen DIARIES. I know! Either these people are really brave, or they are missing the get-embarrassed gene.

So Wednesday night, I made my second journey to Hollywood to see the show again . . .

(Above: The Mortified band sets the mood for the show.)

Here are some former youth offering up their personal humiliation for the greater good and guffaws . . .


While there, Peepy was thrilled to see Eddie Gamara, literary manager/producer from the Gotham Group. He works with the creators of Mortified, so Peeps cornered him . . .


She's angling for her own show. Eddie had her audition and said he'd consider it . . .


Speaking of mortification and trauma, here are my high school diaries . . .


I had taped them together because whatever I had written was apparently soooooo deep, secretive and explosive. When I did read them recently, I promptly wanted to tape them up again. The angst. The drama. The self-pity. It was just like a laundry detergent commercial, only without the happy ending.

If you can't make it to see MORTIFIED in person, there's also a book. I have my own copy. Reading about other people's torments always makes me feel better about myself . . .


Lemme see . . . what else is up? Well on Friday, July 17th, I'll be teaching Plot, along with Amy Goldman Koss, at the South Pasadena Public Library.

On July 29th, I'll be part of "Young Adult Authors Anthologized: Cecil Castellucci, Aimee Bender, Melissa De La Cruz & Lisa Yee" at Skylight Bookstore. CLICK HERE for more information. I'll be reading from a short story I have in the new anthology, GEEKTASTIC: STORIES FROM THE NERD HERD.

Here's me in high school. I was a debate geek . . .


BOBBY VS. GIRLS (ACCIDENTALLY) illustrator/pal Dan Santat and I are the celebrity judges for editor Cheryl Klein's "Worst Possible Opening Sentence for an Imaginary Children's or YA Novel" Contest. CLICK HERE to enter or read the entries. The contest closes on Friday night. Here's Cheryl and Moi in her office earlier this year discussing astrophysics . . .


Hmmm . . . it's been a while since I've had a contest. Maybe I should start thinking of one. Here's one I ran a while back that made people spit out their coffee . . . but in a good way. CLICK HERE for a barrel or more of laughs.

And finally, a couple of people have alerted me TO THIS. Yes! A Peeps store--at long last.


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theljstaff [userpic]
Notes, Geo-Location, Pingbacks, Birthday Wishes, and More
in [info]news
by theljstaff ([info]theljstaff)
at July 15th, 2009 (04:12 pm)

New Notes Feature
Automatic Detect Location
Pingbacks for All
Birthday Wishes

Read more... )

kellyrfineman [userpic]
Harry Potter and the Half-Blood Prince: SPOILER-FREE REVIEW
by kellyrfineman ([info]kellyrfineman)
at July 15th, 2009 (03:59 pm)
gloomy

current mood: gloomy
current song: Mr. Jones by Counting Crows (iTunes)

So. That happened.

This review won't contain any spoilers about this or the following book. I do not make that claim for the comments, however, where I shall feel free to discuss the movie (and the books) at length should the opportunity to arise. So, you know, avert your eyes from the comments section if you have any concerns along those lines, m'kay?

M and I went to the 12:30 show this afternoon. There were literally over 300 empty seats in the theatre (which holds something like 400 people). S went at midnight last night (in a Gryffindor T-shirt, with two of her guy friends in matching shirts) and said it was packed. The 3 o'clock shows looked to be much fuller, and the 6-ish shows are already sold out. I expect the movie to do pretty huge box office. And, I might add, rightfully so.

I have to say that I think it's one of the best HP films yet. Sadly, a ton of stuff was jettisoned and a bunch of things were compressed, but I get why those choices were made. The fact that they consulted Rowling when writing the script and/or had access to Deathly Hallows is evident from some of the stuff that either got left in or added. I am pleased NOT to have seen it in 3-D IMAX, because I am nearly certain that a particular London scene near the start and the quidditch scenes (which were AWESOME) would probably make me barf if I saw them in either 3D or IMAX, let alone in both.

I give it high marks for developing the relationships among the main characters, and in managing to make the Draco plot make sense, particularly given that so much of it occurs off-stage. Also, high marks for not making a cliff-hanger of a book feel completely like a cliff-hanger movie. Sure, it leaves us on the edge of the end, but not in the way that the book left us all pretty much dangling by our nails from a slender branch extended out of the cliff's side.

Considering that we're looking at November 19, 2010 for part 1 of Deathly Hallows (which will necessarily have to have a cliffhanger ending, I believe) and at July 15, 2011 for the end of the end of the movies. In a recent interview, David Yates (director of Phoenix, HBP and Deathly Hallows) said part one will be "like a road movie, refugees being chased by all these people who want to kill them. It’s quite intense." The first movie will use documentary and cinema verité camera work, according to Yates. About part two, he said, "The final film is like this big opera, big epic, it’s got more set pieces than any of the others." The final battle promises to be huge and epic; I'm looking forward to it.

To M, the movie made far more sense than the book, although I believe she's only read it once, which may explain things; like her mother, she reads quickly, and she flies so fast when she's nervous about something that she doesn't always catch it all. That was particularly true in Deathly Hallows, where so many characters die that it's hard to mark all of the deaths. In fact, a recent conversation with our podiatrist ended up talking about the HP books, and he had failed to notice the death of a particular favorite character during the Battle of Hogwarts (who shall remain nameless for the handful of people out there who have not yet read the book and wouldn't want it spoiled). Suffice it to say that M still hasn't forgiven Rowling for that particular character's demise. Although as a writer, she completely respects Rowling for having made that choice, which had to be pretty much gut-wrenching, she remains actually upset about this particular fictional death nearly 2 years later. While I see her point as to why the death is particularly upsetting and unfair, I'm surprised it's still so visceral for her. Now that is some good writing.

So, did you see it yet? If so, what did you think? If not, are you going to?


Kiva - loans that change lives




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can I be called professor?
by Blue Rose Girls ([info]bluerosegirls)
at July 15th, 2009 (04:02 pm)

I just finished teaching my section of the Solstice low-residency MFA program in YA/Children's lit and I can't say enough good things about it. I wish I had gone to a program like this before publishing, it's such a smart group of people--students and staff (including the very sharp and funny co-teacher Laban Hill), all passionate about writing.

They were especially kind to green-horned teachers, such as myself. I caught myself telling stories like an old grandfather ("I remember when I learned there was no such thing as a brontosaurus...") and their eyes did not glaze over once--true signs of real writers, who know that they can find something interesting in the most mundane of incidents.

If you are at all serious about writing for children, get thee to a program such as this!

ignescent [userpic]
I miss the server room
by ignescent ([info]ignescent)
at July 15th, 2009 (03:41 pm)

Not because of any real need to be by the servers, but because the AC was /very/ nice when I needed it. Today has been dragging beyond belief, for all that a vip got migrated this morning. I just went out for a 15 minute walk (.18 miles. new pedometer = shiny) around campus to try and perk myself up. It worked tolerably well, but now I'm all hot. *shrugs*

A few words about Author Signings
by The Longstockings ([info]long_stockings)
at July 15th, 2009 (12:56 pm)

In Publishers Lunch today there was a link to this somewhat contradictory article about local bookstore signings and how authors can contribute to making an event go well.

The article starts out saying bookstores can't do it all themselves! Promote yourself! Do all you can! Then it says, don't step on the bookstores' toes, they know what they're doing, trust them, back off, etc! Well, as an attendee or participant in quite a few bookstore signings, my opinion is that it's all a crap shoot, even with the best, most organized stores. I'm VERY hesitant to agree to do signings because getting a crowd in when you're not a bestselling author is incredibly difficult. It usually ends up being a few family and friends, and 2 or 3 people who happen to be in the store already. Even with a big store, even with big promotion, even with much bigger authors than I.

As a children's author, I find school visits an infinitely less nerve-wracking experience. I sell more books, and the crowd is built-in.
Who's with me??

*caroline hickey

ALA 2009: The Men
by On Point ([info]lorieanngrover)
at July 15th, 2009 (09:51 am)

Okay, Justina is going to smack me for focusing on the men, but come on. In a sea of beautiful ladies, it is nice to encounter a man. Right? (I'll post the ladies next.) So here are the ones I crossed paths with...


M.T. Anderson was brilliant. I've been waiting to meet him for many years. Feed is one of my all time favorite books.

Ed Masessa works for Scholastic Book Fair and loves to tease me. We had a very fun reunion at the Scholastic Brunch.

David Levithan was extremely generous and fun to be around.

Christopher Meyers was absolutely hip and sincere. He asked immediately how tall I am. :~) I appreciated getting to look up to him!


And finally Richard Peck. How awesome to compare shoes. The man is definitely dapper.

Okay, Justina. Go ahead and smack me now.

Art Saves...and Writing Sucks Up Free Time
by Finding Wonderland: The WritingYA Weblog ([info]writingya)
at July 15th, 2009 (09:41 am)

Surely you've not only heard from Little Willow about the Readergirlz/P.L.A.I.N. Janes Art Saves project by now, but also submitted your fabulous and fascinating artwork for her to post. Or, if you're me, you've been writing and/or revising for several hours a day and have totally lost track of time and have the printed sheet (right) sitting next to you on the end table and staring you down meaningfully, asking where your good intentions went. Either way, check the Readergirlz blog for updates, and make your artistic contribution this month!

Another great effort to support books for kids is going on NOW thanks to Macy's and Reading is Fundamental--with Book a Brighter Future, Macy's customers can give $3 and receive a coupon for $10 off a $50 in-store purchase at any Macy's nationwide. Macy's will donate 100 percent of every $3 to RIF for their local programs. You can even enter to win a Macy's shopping spree. Shopaholics, start your engines. (This one's a little tough for me, since I hate shopping, doubly so when it's the mall...but the kids are worth it.)

And that's all from me for now...I just wanted to pop my head above the water, take a breath, and assure you I haven't totally disappeared.

Kimberly [userpic]
Where do the Kidlit conversations happen?
by Kimberly ([info]lectitans)
at July 15th, 2009 (01:11 pm)

For my purposes, the term "kidlit" includes young adult literature as well.

For many reasons, I'm looking to become more active in the kidlit community.  I know who the major blog players are.  I'm a member of the Kidlitosphere listserv.  I'm also a member of Child_Lit.  I'm just wondering if there's anywhere I'm missing where really great conversations are going on.

Suggestions, anyone?

Art redefined: The accumulation of a lifetime, and a lifetime's worth of stuff.
by Cats and Jammers Studio ([info]catsandjammers)
at July 15th, 2009 (11:47 am)

Momaslide3
Photo: Todd Heisler/New York Times

This morning over breakfast, I was immediately drawn to an article in today's NY Times," The Collected Ingredients of a Beijing Life " by Holland Carter. The article is about the Chinese artist Song Dong, and his wonderful installation at MoMa entitled "Waste Not."  Mr. Song has taken the entire contents of the house of his mother, Zhao Xiangyuan, and arranged them in the museum's atrium, along with a piece of the house itself. Presented in sorted piles of like objects, the art is a testament to the idea of a life defined by the possessions one accumulates and hoards. 

Momaslide4
Photo: Todd Heisler/New York Times

It is no secret from my blog post that I consider love, creativity, art and objects ( both ordinary and exceptional) to be be the stuff that life is made of. Essentially, I think who we are as humans is defined by  how we love, how we create, and what we choose to collect and surround ourselves with. My grandmother was someone who loved and spoiled and fed me. But she was also the person who collected an enormous quantity of knick knacks and figurines; held on to every piece of clothing she ever owned; saved every plastic shopping bag and Cool Whip container she came across, and who was joined at the hip to her sewing machine. When I remember her, I always remember her in the context of these things. They were as much a part of who she was as the endless hugs and kisses and lasagna she bestowed upon me.


Momaslide5
Photo: Todd Heisler/New York Times

So, I completely get the piece by Song Dong. For me, I do not think the installation is as grand a comment on Chinese society as it is a portrait of one person and that person's life. Politics, changing social structures and society may affect who we are and who we become. But, still, we are more a part of the world we create for ourselves than we are apart of the world at large. "Waste Not" is more than anything else a portrait of a son's mother and of her specific life. Mr. Song included EVERYTHING in this piece down to used tubes of toothpaste and empty plastic bottles. The effect in the photos in the NY Times slide show, is enormously powerful. Make sure to check it out. The artful arrangements of the like objects make little displays within the display.  This is an art piece that would make me want to take a lot of time. I long  to study, absorb, and thoroughly enjoy every single bit of it, right down to the last toothpaste tube. I hope I can get down to NY to see this exhibit in person as soon as possible. The show runs through September 21. 

Of course, I cannot help but wonder what would a similar piece look like if my son were to attempt to do the same? I think it might require a space like Madison Square Garden. And even then, it might not fit. 




Three Men on the Bummel
by Becky's Book Reviews ([info]beckybooks)
at July 15th, 2009 (10:45 am)

Jerome, Jerome K. 1900. Three Men On the Bummel. 168 pages.

J, George, and Harris are back. The stars of Three Men In A Boat return for a second adventure. This time round they're not boating. No, these three good friends are biking--biking round Germany. This travel-book (that is anything but a 'travel' book) is much too fun to be missed.

Two of the three gentlemen are married. And at first, there is some concern over how to convince their wives that this trip is a good idea. Why these men should leave their wives (and children) behind to go away together. But to their surprise--almost dismay--the wives seem a bit eager for their husbands to go. So the preparations begin. And that's where the fun starts.

How does this one compare with the first? I don't know how to answer that fairly. I loved, loved, loved the first one. And I really loved the second one as well. There is one place in this second book that had me laughing out loud for a good five or ten minutes. I don't know that ANY book has ever had me laughing so hard and so long. It was enjoyable. It was charming.

About bicycle seats:
There may be a better land where bicycle saddles are made out of rainbow, stuffed with cloud; in this world the simplest thing is to get used to something hard. (199)

About "helpful" travel books:

He handed me a small book bound in red cloth. It was a guide to English conversation for the use of German travellers. It commenced “On a Steam-boat,” and terminated “At the Doctor’s”; its longest chapter being devoted to conversation in a railway carriage, among, apparently, a compartment load of quarrelsome and ill-mannered lunatics: “Can you not get further away from me, sir?”—“It is impossible, madam; my neighbour, here, is very stout”—“Shall we not endeavour to arrange our legs?”—“Please have the goodness to keep your elbows down”—“Pray do not inconvenience yourself, madam, if my shoulder is of any accommodation to you,” whether intended to be said sarcastically or not, there was nothing to indicate—“I really must request you to move a little, madam, I can hardly breathe,” the author’s idea being, presumably, that by this time the whole party was mixed up together on the floor. The chapter concluded with the phrase, “Here we are at our destination, God be thanked! (Gott sei dank!)” a pious exclamation, which under the circumstances must have taken the form of a chorus.

At the end of the book was an appendix, giving the German traveller hints concerning the preservation of his health and comfort during his sojourn in English towns, chief among such hints being advice to him to always travel with a supply of disinfectant powder, to always lock his bedroom door at night, and to always carefully count his small change.

“It is not a brilliant publication,” I remarked, handing the book back to George; “it is not a book that personally I would recommend to any German about to visit England; I think it would get him disliked. But I have read books published in London for the use of English travellers abroad every whit as foolish. Some educated idiot, misunderstanding seven languages, would appear to go about writing these books for the misinformation and false guidance of modern Europe.”

“You cannot deny,” said George, “that these books are in large request. They are bought by the thousand, I know. In every town in Europe there must be people going about talking this sort of thing.”

“Maybe,” I replied; “but fortunately nobody understands them. I have noticed, myself, men standing on railway platforms and at street corners reading aloud from such books. Nobody knows what language they are speaking; nobody has the slightest knowledge of what they are saying. This is, perhaps, as well; were they understood they would probably be assaulted.”

George said: “Maybe you are right; my idea is to see what would happen if they were understood. My proposal is to get to London early on Wednesday morning, and spend an hour or two going about and shopping with the aid of this book. There are one or two little things I want—a hat and a pair of bedroom slippers, among other articles. Our boat does not leave Tilbury till twelve, and that just gives us time. I want to try this sort of talk where I can properly judge of its effect. I want to see how the foreigner feels when he is talked to in this way.”

It struck me as a sporting idea. In my enthusiasm I offered to accompany him, and wait outside the shop. I said I thought that Harris would like to be in it, too—or rather outside.

George said that was not quite his scheme. His proposal was that Harris and I should accompany him into the shop. With Harris, who looks formidable, to support him, and myself at the door to call the police if necessary, he said he was willing to adventure the thing.

We walked round to Harris’s, and put the proposal before him. He examined the book, especially the chapters dealing with the purchase of shoes and hats. He said:

“If George talks to any bootmaker or any hatter the things that are put down here, it is not support he will want; it is carrying to the hospital that he will need.”

That made George angry.

“You talk,” said George, “as though I were a foolhardy boy without any sense. I shall select from the more polite and less irritating speeches; the grosser insults I shall avoid.”

This being clearly understood, Harris gave in his adhesion; and our start was fixed for early Wednesday morning. (207-209)

About the teaching of French to English school children:

For they have a way of teaching languages in Germany that is not our way, and the consequence is that when the German youth or maiden leaves the gymnasium or high school at fifteen, “it” (as in Germany one conveniently may say) can understand and speak the tongue it has been learning. In England we have a method that for obtaining the least possible result at the greatest possible expenditure of time and money is perhaps unequalled. An English boy who has been through a good middle-class school in England can talk to a Frenchman, slowly and with difficulty, about female gardeners and aunts; conversation which, to a man possessed perhaps of neither, is liable to pall. Possibly, if he be a bright exception, he may be able to tell the time, or make a few guarded observations concerning the weather. No doubt he could repeat a goodly number of irregular verbs by heart; only, as a matter of fact, few foreigners care to listen to their own irregular verbs, recited by young Englishmen. Likewise he might be able to remember a choice selection of grotesquely involved French idioms, such as no modern Frenchman has ever heard or understands when he does hear.

...

I confine my remarks to French, because that is the only language we attempt to teach our youth. An English boy who could speak German would be looked down upon as unpatriotic. Why we waste time in teaching even French according to this method I have never been able to understand. A perfect unacquaintance with a language is respectable. But putting aside comic journalists and lady novelists, for whom it is a business necessity, this smattering of French which we are so proud to possess only serves to render us ridiculous. (240, 242)



© Becky Laney of Becky's Book Reviews

Board Action Updates: BBYA
by A Chair, A Fireplace & A Tea Cozy ([info]yzocaet)
at July 15th, 2009 (09:47 am)

Thanks to Melissa Rabey for leaving this update in the Readers Choice post:

... [T]here were no actions taken regarding BBYA during the final meeting. Board members seemed split over whether to take action, and which action should be taken, vs. more exploration of the problems and proposed solutions for the BBYA issues. But I know that the Board is not going to let this drop; there will definitely be more discussion in the coming months, and I feel that the goal is that any changes made will take affect for the next BBYA group.

Please see my full report on my BBYA Board Meeting Post.

Edited to add: From the YALSA Blog, Linda Braun writing: During Annual Conference there was discussion of YALSA’s BBYA list including how the list is selected and how it is used. Following these discussions the YALSA Board decided that it needs to consider all of the feedback provided by members during conference. Using feedback from the Board and members, the Executive Committee of YALSA will work to develop a new strategy for BBYA that will be ready for Board consideration at Midwinter 2010.

My comments: Since we've all learned, I think (or at least me!) not to assume that something like this will be highlighted in the YALSA blog, YALSA listservs, or twitter, let's keep an eye on the YALSA Members Only page for Board Documents.

© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy

Modernizing Selected List Portfolio
by A Chair, A Fireplace & A Tea Cozy ([info]yzocaet)
at July 15th, 2009 (07:56 am)

More on the YALSA Board. These are my notes, my impressions, and while I've done my best to record it, it's limited to my pov. All errors are mine. It's not perfect; and I know this is very tl;dr

This Action Item, "Modernizing Selected List Portfolio," had one proposal: "Implement a phase-out of the Best Books for Young Adults Committee and list." This was originally scheduled for Saturday; as word spread, via Twitter and blogs and text messages and phone calls, word also spread that the Board would have discussion on this during their Monday meeting. Why the change? Because of scheduling conflicts with BBYA meetings; the Monday meeting would not have that conflict.

First thing to be clear about: at all times, the Board and Executive Committee were very respectful and mindful of membership.

These meetings follow set policies and procedures; its not an option. So, the first thing that had to be done? Make that change in the Agenda. Specifically, with no talk to the substance of the item, it was changed from an Action Item to a Discussion Item, to be discussed on Monday. There was even, I believe, a bit of talk of simply removing it from the Agenda altogether, except that members of the Board said that people were coming on Monday, wanted to speak on Monday, etc. Apparently, though, when something becomes a Discussion Item, there is still a chance for Action to take place on it. Oh, and for when the formal Board minutes etc are posted; this was also referred to as "Item 14" because it was the 14th item on the Agenda.

Flash forward to Monday morning, where instead of just two observers, there were well over 40 by my count, with standing/sitting on the floor room only.

Board Spoke First. Board Members: If I misquoted you, I apologize, email me/comment here and I will correct it. This is going from my notes and my trying to be track who said what, but it was a bit tough. Also, for readers, it is Board protocol to not repeat the points someone else already made. Finally, again, these are my notes. More may have been said that I didn't get to jot down.

Paula Brehm-Heeger said that BBYA has always been an issue at Board meetings because of the workload and the Board wants to take action on those issues.

Michele Gorman said she sees both sides and education is a component.

Beth Yokes said her mind is not made up (and noted she isn't a voting member) but that there is a compelling rationale to phase it out, and we are forward thinking to meet the changing needs of our members.

Melissa Rabey said that workload is an issue, and if that is the rationale let's consider changes to BBYA before sunsetting it.

Jerene Battisti was a member of the 09 BBYA and was very concerned about the statements in the rationale, especially those saying the list is not being used. She countered that, saying that the list has great impact in the wider community and is used. She mentioned this being a forum for thoughtful discussion; and that BBYA is a training ground for other selections lists; and is valuable for its combination of member backgrounds. Finally, that BBYA is an identifier -- people hear it and think YALSA and vice versa.

Kimberly Patton said she realized it was not perfect and used by all but that is true of all the selection lists and we're not talking about getting rid of other lists based on that.

Erin Helmrich spoke and my notes aren't readable, even by me.

Cindy Welch said that she recognizes and values the members here (IE the observers in the room) and those who have spoken up elsewhere and that she had issues with the rationale behind this as it now stands. She also mentioned the impact of BBYA on publishers and on teens.

Dawn Rutherford compared this to the cycle of fandom. BBYA has a fandom, but what does it mean? (OK, this note makes no change -- "Let's excite it for other committees"?") BBYA should continue, but with changes.

Sheila Schofer said that BBYA fills a need for membership and pointed out a past survey where 95.5% of the membership said they use BBYA. Does it need tweaking? Yes. She also noted that under the Strategic Plan, BBYA fits what is outlined in YALSA's Strategic Plan.

Mary Hastler pointed to the integrity of BBYA, noted that the workload issue could be addressed by virtual participation.

Gail Tobin said to think carefully before major changes are made.

Francisca Goldsmith said something about having no solutions.

Linda Braun said we need to think forward, internally and externally, about how we see ourselves and how others see us. and what will new librarians want.

Sarah Cornish Debraski ended, saying the questions of BBYA difficulties have always been before the board, BBYA cannot be hands off with no changes, we must be willing to embrace change.

Michele Gorman said we should move forward with solutions.

OK, this is Liz speaking now! As you can see from above, I think you'll agree with me that even without observers speaking, the Board seemed more inclined to tweak or change BBYA (either by what it covers or how it nominates/discusses book) rather than phase it out. I'd also say that the problem with coming up with solutions is we have to know what the problem is; and the rationales as listed in this Action item are disputed enough (especially who uses BBYA!) that it's hard to do a solution based on that. Also, the rationales fall into two very different camps: first, the usefulness of BBYA to membership (and using "usefulness" in its most broad sense); second, whether the workload of BBYA is so overwhelming as to not be feasible for BBYA to continue.

Back to the Meeting.

There were over 40 people in the meeting, and a limited time frame. The meeting HAD to end at a certain time; it was NOT an option to extend. So the Board began with allowing people to speak for up to 2 minutes and then had to change that to 1 minute. This was NOT PERSONAL. It was not done to limit voices. It was pure practicality.

OK, this is where I had an especially hard time following names; and because I was also preparing what I wanted to say, did not do a good job of regarding all the wonderful and thoughtful things people had to say.

Nick Buron spoke first, as someone who has served on Board and is aware of the complaints of how much time BBYA takes and the frustrations of the Board. He mentioned how last year he made a motion, an Action item, to change certain things to address that and it was not acted on; and why not change things? Why one year later suddenly the need to phase it out when last year an action to tweak was not acted on? And he pointed out that the final Additional Recommendations were similar to what he had suggested last year, and all made sense for a list that was continuing, not for a list being phased out.

Beth Saxton made the point that we are literature experts, and BBYA is part of that. I echoed that later, saying that we are literacy and literature experts; BBYA is part of it; and that new and future library students do see books (and BBYA) as being part of librarianship and part of why they join YALSA.

Rollie Welch (BBYA member and past chair) offered solid solutions having to do with the nomination process of books and how virtual discussions could work; others also pointed to changes in the nomination procedure, including how many books people could nominate, at what point a book had to be read by all, and what point real-meeting time discussion occurs and at what point virtual; and whether to remove adult titles, graphic novels, and/or non-fiction from BBYA's charge. (I'd like to add -- if the existence of the GN and NF lists/awards is a reason to eliminate BBYA, shouldn't those of us who supported those separate lists/awards have been made aware of that possibility?)

Several people spoke to how these lists are used (David Gill from ALAN/NCTE said they are used all the time with English teachers & education); professors said that based on their students, library students are interested in BBYA etc; many mentioned the usefulness of this list to collection development, management, and readers advisory.

In terms of teen impact, Kimberly Paone spoke how life-changing it was for her teens from Elizabeth NJ to speak at the BBYA meetings in Philadelphia a few years back, and that this list has and will change teens lives.

Victoria Stapleton of Little Brown (and a YALSA member!) spoke about how this impacts publishing, especially the quieter books, in terms of recognition, reprints, and paperback copies. I spoke later, referring to Alex Flinn's statements, about how this impacted a book, noting that forget publishers or authors pocketbooks -- without this going into paperback, teens wouldn't have it to read it, it wouldn't be in classroom sets, small budget libraries wouldn't buy it, and it wouldn't be on various state award lists. BBYA helps teens get the books they need and want by keeping them in print.

Walter Mayes spoke to education, not just in terms of how/when people use BBYA, but also in terms of who applies to be on. Don't apply if you don't know what you are getting yourself into, in terms of number of books read, etc. (A couple of other people made this point; yes, its a helluva lot of work, but that shouldn't be a surprise). (I'd add this thought: being I've applied practically every year of my professional YALSA involvement and not gotten on, and read basically a book a day etc., I'd love to know how it is decided from applicants who does get on.)

So many people spoke, with passion, with respect; and I'm sorry I don't have all your names and all the quotes. If others want to add or clarify to this, please do so in the comments or link to your own posts. Simply searching BBYA, even without a hashtag, finds many posts in Twitter.

I'll end with a current member from BBYA who said this was his professional goal and he loves it and doesn't want it to go away; yes, it's a lot of reading but he knew it and he still has time for his wife and four young kids so it's not an impossible task.

Where does this leave us? I don't know. I do know there was a board meeting on Tuesday, when most non Board members were already gone, in airports on planes. I haven't heard what action, if any, the Board took or will take. I assume that we'll find out via Twitter, Blogs, or the listserv when Minutes etc are posted.




© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy

LUCKY BREAKS by Susan Patron
by A Year of Reading ([info]readingyear)
at July 15th, 2009 (10:16 am)

lucky breaks
by Susan Patron
illustrated by Matt Phelan
Simon and Schuster, 2009
review copy was purchased with my own money

I can't wait to hand this book to my student who read The Higher Power of Lucky at the end of the year last year. She'll love it! Lucky is the kind of character, and Hard Pan (population 43) is the kind of place that stay with you.

Maybe every girl on the brink of turning eleven needs to read this book. Not since Sandra Cisneros' story eleven have I seen this age described so eloquently. (I'm not going to link to any of the online copies of Cisneros' story--they are all violating copyright, so I'll let you find them for yourself if you don't already know the story. It's from Cisneros' book Woman Hollering Creek.) Here are the lead paragraphs of lucky breaks:
"Eleven. Lucky thought from her seat at the back of the school bus, eleven, eleven, eleven, and the idea of it the sound of it threw off sparks in her head. You start with one, two, three: those clunky one-syllable beginner-ages like wooden blocks that toddlers play with. Keep going and you get to eight, nine, ten: the plodding steps you have to climb until, at last, you arrive. Finally, finally, you reach the best age, the one that, when you say it out loud, sounds like a little tap dance or a drumroll.

...She pictured 11 as a swinging double door, a saloon door in an old Western; you push the sides open, bam, with both hands and stride through before they flap shut again, your childhood behind you." (p.1-2)

This is a book that will satisfy readers who read for plot. In the first chapter, we learn (from Miles, who is about to turn six) the story of two miners from about a hundred years ago who loved the same woman who was tragically killed in their fight for her. A piece of her brooch is supposedly at the bottom of an abandoned (or condemned?) well. The story captures Lucky's imagination, and any reader worth their salt is going to know that sooner or later, Lucky will be down that well looking for the missing piece of the brooch and it's a good thing that the book is titled lucky breaks. It would be interesting to use this book in a literature circle or grand discussion and have readers focus on all of the things that break (literally and figuratively) in the book.

This is also a book that will satisfy readers who read for characters. Lucky's friend Lincoln is fully developed in this book. He is still complicated and quirky and constantly tying knots, but he is also mature and stable, which are both lucky breaks for Lucky. A new character is also introduced -- Paloma, who becomes Lucky's first best friend who is a girl.

And finally, this is a book that will satisfy readers who read for setting. Hard Pan, the desert around it, and the sky above it are beautifully described. Matt Phelan's small sketches help readers visualize the vastness and the emptiness of the desert landscape. In this interview, Susan Patron shares that the setting of a fictional former mining town in California's Eastern Sierras was the initial inspiration for Lucky's stories.

The third book in the series is promised for 2010. YAY!

Waiting on Wednesday--Bitterblue has a release date (sort of)!
by Charlotte's Library ([info]charlotteslibra)
at July 15th, 2009 (08:56 am)

From an article at Publisher's Weekly:

"Cashore is currently working on a third book in the series, one that follows the story of Bitterblue, a character introduced in Graceling. Dawson is aiming for a 2011 release."
There were other words in the article, about the publication of Fire (a nice story about publishers playing nicely together), but the words I quoted are obviously of greatest importance. 2011 is less than 17 months away.

And actually, I still have Fire to look forward to...

Kerry Madden [userpic]
Birmingham...
by Kerry Madden ([info]mountainmist)
at July 15th, 2009 (06:47 am)

The sounds of summer are thick in the air in Birmingham. We're looking at apartments and cars. The girls are impressed by the heat, which feels like my childhood - thick heavy heat and people are pretty much off the street in Homewood by 4:30 or 5:00 in the afternoon. They must come back out again in the evening. I'd like to capture just first impressions of these early days. We're looking at neighborhoods like Homewood, Five Points, and we even checked out Irondale as an homage to Fannie Flagg, but Norah, whose favorite movie is FRIED GREEN TOMATOES, said, "I feel empty inside here." Lucy told her to quit being so dramatic. Lucy said Irondale made her feel like she was going to visit her grandparents, but I loved the train tracks and old tressels.

A young real estate guy took us around to look at different places mostly in Homewood. He was friendly and upbeat and looked a lot like one of Kiffen's brothers. He actually pointed out flaws in places - "bad windows," "street noise," and "the landlord doesn't fix anything at this place, but he's so rich he has nannies and cooks and chefs." It was refreshing because he wasn't a salesman in the hardcore sense at all. He mostly talked about great barbecue places and other points of interest in Birmingham, though he didn't know the story behind the "Vulcan" statue on Red Mountain (the largest cast iron statue in the world). Kiffen sat up front and they chatted the way men do...Our real estate guy drove a truck and his Bible slid across the floor of the backseat and landed at my feet. I put it back on the seat. We saw the school where Norah might go if she transfers mid-year, and it's across the street from the Piggly Wiggly. Yesterday, she asked, "What IS the Piggly Wiggly?"

We took the girls to UAB (University of Alabama) and they really liked it...I just wanted to give them a visual of the campus. Lucy will be in New York this fall, and Norah will be in Los Angeles with my husband, Kiffen, and Flannery will be at UC Santa Barbara, so this is a big year of change and covering such different points of the country. We also went to the Civil Rights Institute, which was extraordinary and overwhelming. It is right across from the !6th Street Baptist Church. Norah loved seeing the pictures of Rosa Parks.

Anyway, time to roust the kids and do more looking around...the people wave and smile, and the businessmen wear suits even in this heat. One of the professors is coming over today with the want-ads, and we're going to look at more places. The girls really want Harry Potter today, so that will happen too, or, at least it will happen for them.

THE VULCAN "is the Roman god of fire (aka God of the Forge)"
http://media-cdn.tripadvisor.com/media/photo-s/00/1d/21/47/vulcan-statue.jpg


Going Down Maine...Again
by Wild Rose Reader ([info]wildrosereader)
at July 15th, 2009 (07:55 am)

We're off this morning to spend a few days with friends up in "the wilds" of Maine. I'm not sure if I'll be able to post from there. Maybe...I'll be able to focus my attentions once more to working on some poetry manuscripts that need a little "tweaking" and to getting some serious reading done.

I hope the gorgeous weather we've been having here lately will follow us north.

Mommy, Mama, and Me
by I'm Here. I'm Queer. What the Hell do I read? ([info]queer_reads)
at July 15th, 2009 (06:03 am)

By Leslea Newman, illustrated by Carol Thompson

Finally, a GLBTQ Family board book for the youngest kids!

A very young (shown standing up but not yet walking) child has two moms:

Mommy and Mama.

In soft lilting rhymes, there's a day of little moments -
"Mommy picks me up, up, up. Mama pours juice in my cup."
There's an outing, a nap, cooking together, a bath, and then our first person hero (or heroine, the illustrations leave it open for us to interpret the child's gender) is tucked in and kissed goodnight.

It's Lovely.

Absolutely lovely.

This book will make a huge difference to all those kids who are part of two Mom families. And it will help make our world a better place, for everyone else who reads it will clearly see that what binds together GLBTQ-headed families is the same thing that binds together heterosexual-headed families: LOVE!

Thank you, Leslea and Carol! I sure wish this board book had been read to me when I was a little kid!

Namaste,
Lee

Art Saves!
by Sarah Miller: Reading, Writing, Musing... ([info]sarahmillerbook)
at July 15th, 2009 (08:46 am)

In celebration of Cecil Castellucci & Jim Rugg's The Plain Janes, Little Willow invited me to take part in the Readergirlz Art Saves! project -- to create or display an image of how art affects us. Here's my booksy-artsy story...

Once upon a time, I shelved books five nights a week at the little library down the street. Down in the children's room where I spent most of my time, there was a book called Jon O.: A Special Boy. I'm not sure why its spine ever caught my eye, except that it was so euphemistic and dated. And also, so rarely checked out that it was something of a landmark on the shelves -- to the extent that I remember my co-worker, Alisha, making a Vanna White-style presentation of shelving it one day.

But the cover had this irresistible picture of Jon O. himself flashing a look-at-me grin. The book's since been discarded and I can't find an image of the cover online, which is a shame, because if you could see that, you'd understand why this face, smiling down at me from the art showcase stopped me dead in the middle of the hallway one day at school:



"You painted Jon O!" I gushed to Alisha the next time I saw her at work.

"You saw him!"

You bet I did. And somehow I hinted and wheedled so effectively that before Alisha left for college the next year, she gave me Jon O. He grins from just inside my bedroom doorway to this day. Look at me, Jon O's face says. And how can I resist?

(Oh, and Alisha? Nowadays, Alisha's designing her own line of clothing in New York.)

Kate Messner [userpic]
All I want to do is read.
by Kate Messner ([info]kmessner)
at July 15th, 2009 (08:43 am)

How can I possibly pick up the house and do laundry and answer email with all these staring at me?



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